On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
A middle age woman's life is turned upside down when she starts a relationship with a much younger man.
Anna, 50 years old, moves into her new house. Rooms are full of boxes which contain a lot of things and plenty of memories. Anna has lived many lives and her past comes out of these boxes. Her parents surely, but also her children and their fathers, the living and the dead. In this breakneck period of her life, time is running faster and faster and Anna takes a run-up to face the past and try to go towards the future. And, maybe, to manage to still believe in love?
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
In 1915, in the atmosphere of a French village during the First World War, we follow a teen boy who discovers the reality of war and leaves for the front in order to restore the sullied honor of his father who was executed for desertion.
The two friends Claude and Serge are fundamentally different in their temperament. Similarities arise only when they try to have a relationship with a woman, because both fail equally. While Claude is simply too shy to even start a relationship, let alone meet a woman, Serge is too jumpy to have a relationship. Together they go in search of the great love in all sorts of curious situations, from the self-help group on speed dating to wedding celebrations of strangers - in the hunt for the right woman, they are no way too far.
Landry and Sylvinet are identical twins who are distraught when they are separated at the age of fourteen. Sent to work on the neighboring farm because phylloxera has ruined his father's vines, Sylvain, the stronger of the two brothers, recovers from the shock but not Sylvinet, who keeps moaning and sulking. Caillaud, the rich farmer who employs Landry is pleased with the way Landry works and lets him woo his daughter Madelon. Some day, due to a misunderstanding between the twins, Sylvinet runs away from home and disappears in the forest. And while Landry tries to find him in the woods he is helped by a little savage, Fadette, who lives there with her spiteful grandmother and her brother. Against all odds, Landry will gradually for this dirty little wild child.
It's a catastrophe! A flood has hit our planet and an unusual group of people are all that remains. Led by Ferdinand, a modern day Noah, this little group have managed to defy the furiously raging elements. People and animals alike are dragged through this incredible whirlpool of an adventure.
Annie Girardot (25 October 1931 – 28 February 2011) was a French actress. She began performing in 1955, making her film debut in Treize à table. Girardot won the Prix Suzanne Bianchetti in 1956, and in 1977 won the César Award for Best Actress portraying the title character in Docteur Françoise Gailland. At the Venice Film Festival she won the Volpi Cup (Best Actress), in 1965 for Trois chambres a Manhattan. In 1992, she was the Head of the Jury at the 42nd Berlin International Film Festival. In 2002, she was awarded the César Award for Best Supporting Actress for her role in The Piano Teacher. She collaborated with director Michael Haneke again, in the 2005 film Caché. Another of her best known roles was as Nadia the prostitute in Luchino Visconti's epic Rocco e i suoi fratelli (Rocco and His Brothers, 1960). Nadia's beauty drives a wedge between Rocco and his brother Simone (Renato Salvatori). In contrast to their violent on-camera relationship, Girardot and Salvatori married in 1962. They had a daughter, Giulia, and later separated but never divorced. Description above from the Wikipedia article Annie Girardot, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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