After losing their first child to a genetic disease, grief-stricken parents Nicholas and Sarah become one of ten couples to enrol into unique clinical trials launched by the GEO Group; an established cellular meat company using its technology to create GM babies. The plan is to overcome the cruelty of nature. But are the experiments the single greatest scientific event in the history of mankind, or the beginning of an unimaginable epic nightmare?
A young computer savant makes a fake video later discovering the video is all over the news.
What would mourning look like if it assumed a physical shape? An old hunter confronts it: He cannot and will not simply accept his wife's death.
A vigilante, Franck Denard, is released from prison after serving 10-years for a crime he didn't commit. Discovering he's on borrowed time with a terminal illness, he sets out for one last blood-thirsty fight seeking redemption and vengeance.
A vigilante who is released from prison for a crime he did not commit sets out for one last blood-thirsty fight to seek redemption and vengeance.
Bored with the routine? Depressed by the thought of going to bed alone every night? Juliet is the first super-competent companion robot, and she's waiting for you!
Directed by UK-horror scene stalwart Calum Waddell and hosted by scream queen Debbie Rochon (Terror Firmer, Tromeo and Juliet) Scream Queens: Horror Heroines Exposed features, in a change of pace for horror documentaries, especially those focusing on females in the genre, an all-female line-up, discussing horror movies from their perspective – exploring the challenges of being an actress in a genre predominantly made by and for men, from how they came about to be defined as a “scream queen”, about the vagaries of the genre: nudity, violence, misogyny, etc., and about how they feel about the genre and the label
A young couple, Alexander and Livia, take off on holiday to Romania. Hospitalized after being hit by a car, Alexander must undergo a blood transfusion—with horrifying consequences: upon his return, he seems afflicted with a strange disease.
Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.
Unemployment is the great evil of our time. Thankfully, the Agency for Professional Reorientation for Myths and Legends can guide creatures into their professional life.
Catriona MacColl (born 3 October 1954) is an English actress and former ballerina. She was initially a ballerina who trained at a top ballet school in England before suffering an injury that abruptly curtailed her burgeoning career as a dancer. In the wake of said injury Catriona joined a repertory company which eventually led to her moving to Paris, France where she acted in French television shows and played her first lead role as the titular character in Lady Oscar (1979). She gained cinema popularity by playing the female leads in three gruesome and atmospheric Italian horror films directed by Lucio Fulci: City of the Living Dead (1980), The Beyond (1981), and The House by the Cemetery (1981).
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