Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.
Explore the dramatic career and personal struggles of the talented and tragically short-lived entertainer Judy Garland through rare concert footage, never-heard-before voice recordings and personal photos.
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
Director Spike Lee chronicles Michael Jackson's early rise to fame.
Patricia Ward Kelly remembers Gene Kelly directing "Hello, Dolly!"
This is a two-hour in-depth exploration into the Hollywood musicals of the 1940s.
During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.
An experimental film superimposing a clip from "Singin' in the Rain" over itself seven times.
A cherished remembrance of Fred Astaire and Ginger Rogers reunited for the film, "The Barkleys of Broadway."
This documentary tells the story of the making of Irving Berlin's Easter Parade.
Eugene Curran Kelly (August 23, 1912 – February 2, 1996) was an American actor, dancer, singer, filmmaker, and choreographer. He was known for his energetic and athletic dancing style, his good looks, and the likable characters that he played on screen. He starred in, choreographed, or co-directed some of the most well-regarded musical films of the 1940s and 1950s, until they fell out of fashion in the late 1950s. Kelly is best known today for his performances in films such as Cover Girl (1944), Anchors Aweigh (1945), for which he was nominated for an Academy Award for Best Actor, On the Town (1949), which was his directorial debut, An American in Paris (1951), Singin' in the Rain (1952), Brigadoon (1954), and It's Always Fair Weather (1955). Kelly made his film debut with Judy Garland in For Me and My Gal (1942), and followed by Du Barry Was a Lady (1943), Thousands Cheer (1943), The Pirate (1948), Summer Stock (1950), and Les Girls (1957) among others. After musicals he starred in two films outside the musical genre: Inherit the Wind (1960) and What a Way to Go! (1964). In 1967, he appeared in French director Jacques Demy's musical comedy The Young Girls of Rochefort opposite Catherine Deneuve. Kelly solo directed the comedy A Guide for the Married Man (1967) starring Walter Matthau, and later the extravagant musical Hello, Dolly! (1969) starring Barbra Streisand, recognized with an Oscar nomination for Best Picture. Kelly co-hosted and appeared in Ziegfeld Follies (1946), That's Entertainment! (1974), That's Entertainment, Part II (1976), That's Dancing! (1985), and That's Entertainment, Part III (1994). His many innovations transformed the Hollywood musical, and he is credited with almost single-handedly making the ballet form commercially acceptable to film audiences. Kelly received an Academy Honorary Award in 1952 for his career achievements; the same year, An American in Paris won six Academy Awards, including Best Picture. He later received lifetime achievement awards in the Kennedy Center Honors (1982) and from the Screen Actors Guild and American Film Institute. In 1999, the American Film Institute also ranked him as the 15th greatest male screen legend of Classic Hollywood Cinema. Description above from the Wikipedia article Gene Kelly, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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