A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.
One mother, two sisters that make each other jealous, and a visitor whose presence upsets the home’s precarious system until he is taken by storm, enveloped in his own astonishment.
Luzmila and Peta are two sisters who come from a modest environment and work as housemaids for Alicia and Carmen, two aristocratic ladies of Peru. They are almost considered a part of the families or, at least, that’s what it seems… But one day, as the city is taken over by violent protests, a birthday celebration gathers all the members of both families together. A long-held secret involving both households — upstairs and downstairs — is suddenly revealed, blowing up the bubble of their perfect aristocratic world forever.
When a woman visits a Chinese doctor, she discovers her pain is due to pent-up rage, and the only cure is to fully express herself, whatever may come.
The story of a young orphan, law student whose close relatives limits to just his grandfather and one of his teachers.
Margarita tells the story of Rafo (Giovanni Ciccia) who is a divorced parent in his forties that lives the life of a twenty-year old bachelor. Until his adorable, determined and tween daughter, Margarita (Francisca Aronsson), knocks on his door to move in his house without notice. Rafo's life will take a chaotic and fun turn in which he will find himself and other people like Claudia (Melania Urbina), his neighbor. Margarita, with her kindness and youth, will change Rafo's life and everyone around her forever.
The film tells the story of four raw facing different situations of life: love, heartache and endless tragicomic adventures .
Giovanni Ciccia Ridella (born June 18, 1971) is a Peruvian actor, theater director, singer and television presenter. He is best known for the leading role of Orlando Hernández in the film Django: la otra cara and the main antagonistic role of Diego Montalbán in the television series Al fondo hay sitio.
By browsing this website, you accept our cookies policy.