The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
James Levine leads a stirring performance of Wagner’s epic comedy, seen in Otto Schenk’s classic production. Baritone Michael Volle stars as Hans Sachs, the cobbler-poet at the heart of this story of love, art, and youth vs. age. Leading Wagnerian tenor Johan Botha is Walther von Stolzing, the young knight whose new ideas upset the traditional ways of the mastersingers, and Annette Dasch sings Eva, the girl he loves, whose hand has been promised to the winner of a singing contest. Johannes Martin Kränzle as the pedantic town clerk Beckmesser, Hans-Peter König as Pogner, Eva’s father, and Paul Appleby as David, Sachs’s apprentice complete the stellar cast.
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.
Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love. Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.
Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.
Late Academy Award–winning director Anthony Minghella made his Met debut on Opening Night of the 2006–07 season, with a now-classic staging of Puccini’s perennial heartbreaker Madama Butterfly. This documentary follows the production’s creation—from the Met’s subterranean rehearsal rooms to the main stage and on to the premiere—as Minghella worked with the opera’s stars, soprano Cristina Gallardo-Domâs as Cio-Cio-San and tenor Marcello Giordani as Pinkerton.
Switzerland's annual Verbier Festival has become one of the premier international musical celebrations, attracting a who's who of world-renowned artists to the Swiss countryside for more than two weeks of classical music performances. In celebration of the 10th anniversary of the festival, the world's greatest pianists gathered to play arrangements of classical favorites for four to 16 hands on one to eight pianos. Pianists Leif Ove Andsnes, Nicholas Angelich, Martha Argerich, Emanuel Ax, Claude Frank, Evgeny Kissin, Lang Lang, James Levine, Mikhail Pletnev, and Staffan Scheja perform works by Mozart, Wagner, Rimsky-Korsakov, Smetana, Sousa, and Gottschalk. Also featured is Bach's "Concerto in A Minor," performed with the Verbier Birthday Festival Orchestra: Renaud Capuçon, Sarah Chang, Ilya Gringolts, Gidon Kremer, Vadim Repin, Dmitri Sitkovetsky, Christian Tetzlaff, Nikolaj Znaider, Yuri Bashmet, Nobuko Imai, Mischa Maisky, Boris Pergamenschikow, and Patrick de Los Santos.
James Morris leads an all-star cast including Karita Mattila, Ben Heppner, Thomas Allen and René Pape, in this production of Wagner's comic opera, recorded live at New York's Metropolitan Opera in 2001. James Levine conducts.
Inspired by Wagner’s own tortured affair with the wife of his patron, this searing masterwork is based on Arthurian legend and tells of an illicit romance between a Breton nobleman and the Irish princess betrothed to his uncle and king. The composer’s larger-than-life sensibilities are on full display throughout the score: Along with intoxicating orchestral music that surges in tandem with the couple’s burgeoning passion and a chord left symbolically unresolved until the last moments of the opera, the opera also features one of the repertory’s most soaring and ecstatic final climaxes, as Isolde surrenders to a love so powerful that she transcends life itself.
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