Tracing the beginnings of Jet Tone Films, which was founded in 1991 by Wong Kar Wai for the production of Ashes of Time (1994), the film features never-before-seen materials, including deleted scenes, behind-the-scene footage, and selected narration by Wong Kar Wai.
The film follows the rise and fall of a family in Shanghai. Once wealthy and capitalist, the family unraveled during the Cultural Revolution in the 1960s and 1970s. Their home, once a French concession mansion, was converted into a multi-family dwelling.
In 1930s Suzhou, the fifth wife of an opium-addicted aristocrat, her husband's female cousin, and a handsome instructor develop an intense relationship.
A mischievous snake who assumes human form interferes with the romance between her reptilian sister and a hapless man.
Cheese and Ham are two men with nothing better to do in their lives. Until they meet a man dying of throat cancer who will pay the two men a large sum of money to kill a woman, whom he wants dead. The problem? She is the hottest chick, the two men have ever seen, and they are having a very difficult time trying to kill her.
A power struggle between the Queen's treasonous lover and a princess occurs amid musical numbers, slapstick battles, and martial arts acrobatics.
A loyalist attempts to keep the King's empire from being overthrown by a revolutionary group.
It is 20 years on and Ho Hsin is now the proud and powerful owner of a chain of casinos in Macau. Unfortunately, he is also the target of many enemies, some of whom are in dangerously close proximity to him. But Ho has faced adversity before and is not about to just roll over and die.
Developer Tsang Siu Chi and his agent have bought two of a group of four properties. Rival developer, Boss Hung has secured the other two properties. Both aim to buy all four so they can knock them down and build hotels.
Joey Wong Cho-Yin (AKA Joey Wang, Wang Tsu Hsien, or Joey Ong Jyo Han/Hen) (Chinese: 王祖賢; pinyin: Wáng Zǔxián, born January 31, 1967) is a Hong Kong based Taiwanese-born actress. Along with Maggie Cheung, Rosamund Kwan and Cherie Chung, she was widely regarded as one of the ‘Four Flowers’ of Hong Kong cinema.
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