Gábor Báthory was the ruler of Principality of Transylvania from 1608 to 1613. The infamous Elisabeth Báthory was his relative. The young Báthory is daring handsome and the idol of women, and triumphantly acquires the throne of Transylvania. The young ruler is the hope of the Transylvanian people, who have long suffered from wars. However, the ambitious Báthory pursues glory. He turns into a deranged tyrant, his best friend, the wise Gábor Bethlen, also becomes his mortal enemy and infuriates the neighboring great powers. Huge armies of the Ottomans, Wallachians, Poles, Hungarians and Cossacks attack Transylvania because of Báthory's adventurism.
Peter returns to his Transilvanian hometown, Valan, where a dead body was found in the snow-capped mountains. The investigation about his 22 years missing sister leads him to the maze of grave sins of present and the past, where he has to fight not only with local criminals but his own demons too.
Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.
A boy's secret trek from his country town to Budapest to claim a prize evolves into the hopeful search for his missing father. Lali, a Roma boy, wins a chocolate bar from a friend in a card game and discovers that the wrapper makes him the lucky winner of a red motor scooter. How to claim the prize in person, as required, when you're only twelve and look much younger? First-time director Groó creates a sure and realistic depiction of childhood on the cusp of manhood in this sensitive and lovingly crafted coming-of-age story.
1839. The discontented noblemen assemble at the country estate of count Gábor Falussy, on the pretext of a boar hunt. Also an English engineer arrives for the sake of constructing the railway line leading up to the count’s quarry.
A mother with an affection to air-refreshers, a daughter looking down on her mothers job.
Have I committed a crime? Lamm cannot answer this question. But maybe it doesn't matter. After all, a mistake has been made, and now he can leave town. He thinks not of the chandelier, not of the look on the executioner's face in the tavern, but of the woman who slapped him the night before, the woman who now lies motionless before the wall, as still as a pebble. Is that the punishment? Lamm was pardoned. But the punishment only begins now, now, when the dead city disappears forever into the woods.
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