Caroline Binder has a nice home, a working marriage, and a chronically-ill heart. Heart specialist Paul Hoffmann promises his patient healing through a new surgical method and keeps his promise. But Caroline cannot do with her new life, because the rhythm of this has been determined by her sick heart for the past 20 years. She feels betrayed about her identity and starts to look at how and why life is worth living.
After losing his job as a marketing officer, Walter, a workaholic in his forties, finds himself in an existential crisis and takes on the identity of another man.
A young couple moves to a gated community (named Sechzehneichen), where soon the creative wife (a photographer) gets bored and the husband joins a secret mens' club. All the other wives seem strangely conservative and shallow. Basically a thinly veiled take on the Stepford Wives, just without any bit of humor or atmosphere, but instead filled with the sterile, unflinching and dry seriousness that makes watching a lot of our German films such a drag and a miserable experience.
Secrets and betrayals follow a sudden death in a young photographer's studio. In this explosive exploration of coitus and drug-fueled lifestyle of the creative class in Berlin, being young and dangerous has its consequences.
At a company Christmas party, men from different social classes encounter frustration, fear, anger and stress. United by their common alcohol level, these different characters go hunting together late at night. Unfortunately it's the same woman: Sybille, the executive secretary. In a bar the situation escalates, you lose what little dignity and control you have left and the inevitable catastrophe occurs.
The lives of a Serb family are torn apart by the pressures of the not-too-distant war with the Croats. The film addresses the fundamental question "Can love survive between political enemies?"
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