Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.
In the summer of 1963, François Mitterrand was going through a deep existential crisis. His political career was at a standstill and, after 19 years of marriage, the couple had grown apart. It was at this point that François Mitterrand met the woman who was to give new meaning to his life. Anne Pingeot, aged 19, was to become the companion of a lifetime, a woman who would be with him throughout his rise to power and who would remain by his side until his last breath. For the first time, Anne Pingeot has agreed to allow the fragments of this passionate love story — hundreds of letters and a diary — to be shown on television, before being donated to the National Library.
An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.
In some way, this furiously independent film works as a visual extension of the book “Subjetiva de nadie”, where Vieytes made a very unique fusion of criticism and poetry." FERNANDO MARTÍN PEÑA
"Our analysis of such a rich film should not be a rigid, either/or proposition. It remains for us, almost 55 years on from Contempt’s initial release, to fully grasp Godard’s modernist gestures, poised between a fullness of mythic and classical meaning, and the possibilities of a newly fragmented universe of signs."
A captivating portrait of French actor Michel Piccoli, who has worked with the greatest filmmakers of his time and has built a dazzling career of remarkable merit and success, focusing on his work during the 1970s and his professional relationship with Claude Sautet, Romy Schneider, Marco Ferreri and Luis Buñuel.
Marco Ferreri: Dangerous But Necessary is a trip through the auteur's singular cosmos - at once supernatural and earthbound. He dropped out of his studies to become a veterinarian, choosing instead to concern himself principally with the human animal, in our corporeal and yearning essence.
Michel Jacques Daniel Piccoli was the son of Henri Piccoli, violinist and Marcelle Expert-Bezançon (1892-1990), pianist and daughter of the French industrialist and politician Charles Expert-Bezançon. In 1954, Michel Piccoli married actress Éléonore Hirt with whom he had a daughter, Anne-Cordélia Piccoli. In 1966, he married the singer Juliette Gréco, then in 1978 the screenwriter Ludivine Clerc, with whom he adopted two children of Polish origin, Inord and Missia. Placed in an establishment for problem children, the commitments of the young Piccoli, are made in opposition to his maternal grandfather, senator of the Third Republic, financier of the Radical Party, and important industrial painter, accused by the trade union left and by Georges Clemenceau, of having intoxicated his workmen through lead white which causes lead poisoning. Michel Piccoli then trained as an actor first with Andrée Bauer-Théraud and then during Simon. After an appearance as an extra in "Sortilèges" by Christian-Jaque in 1945, Michel Piccoli made his film debut in "Le Point Du Jour" by Louis Daquin. In the theater he distinguished himself with the Renaud-Barrault and Grenier-Hussot companies as well as at the Théâtre de Babylone. Noticed in the film "French Cancan" in 1954, he continued on stage and worked with directors Jacques Audiberti, Jean Vilar, Jean-Marie Serreau, Peter Brook, Luc Bondy, Patrice Chéreau and André Engel, and became also know in popular TV movies. Having become an atheist after a family bereavement, he met Luis Buñuel in 1956, and ironically took on the role of a priest in "La Mort En Ce Jardin". In 1959, he shot "Le Rendez-Vous De Noël", a short film by André Michel based on the short story by Malek Ouary "Le Noël Du Petit Cireur", in Algiers. The 1960s sounded his consecration, noticed in "Le Doulos" by Jean-Pierre Melville, he was revealed internationally with "Le Mépris" by Jean-Luc Godard alongside Brigitte Bardot. From then on, he toured with the greatest French and international filmmakers such as Alfred Hitchcock, Luis Buñuel, Youssef Chahine, Manoel de Oliveira... He began the 1980s with the interpretation prize at the Cannes festival in 1980, with "Le Saut Dans Le Vide" by Marco Bellocchio, and that of the Berlin festival in 1982, with "Une Étrange Affaire" by Pierre Granier-Deferre. . He worked with Jacques Doillon, Leos Carax, before trying his hand at directing. In 2001 he received the IX Europe Prize for Theatre. He was part of the jury of the 60th Cannes Film Festival in 2007, chaired by Stephen Frears. In 2011, he played in "Habemus Papam" by Nanni Moretti. The last film in which Michel Piccoli appears is the film "Le Goût Des Myrtilles", by Thomas de Thiers in 2013. Politically committed to the left, member of the Peace Movement (communist), Michel Piccoli distinguished himself by his positions against the National Front, and mobilized for Amnesty International. Michel Piccoli died on May 12, 2020 following a stroke in his mansion in Saint-Philbert-sur-Risle in Eure. His funeral takes place in Évreux on May 19, 2020, where he is cremated, his ashes are scattered within the family property.
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