A short documentary about cinematic gaze featuring interviews with women in the film industry.
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
Nina Menkes graduated with an MFA in film production from UCLA in 1989, has received Fulbright Research Awards to the Middle East and is a member of the film faculty at the California Institute of the Arts. Her films have screened at international festivals including Sundance, Cannes (ACID), Rotterdam, Locarno and Toronto. Her documentary Massaker, for which she was also cinematographer, premiered at the Berlinale and won the FIPRESCI Award. Her 1996 feature film The Bloody Child was selected as one of the best films of the past fifty years by the Vienna International Film Festival in Austria.
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