It is Dr. Borlai's job to tell the patients that they just have a few days left. But one day his colleauge tells him this story. So the sample husband the best father and doctor comes up with a devilish plan. To ruin every relationship that he is in so the loved ones will let him go easily. And when he achieves this he is still alive but he should be in the cemetery long ago.
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
After her husband's death, Hanna Szendroy, the former primadonna, is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.
An Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.
The animated film, “Days that were Filled with Sense by Fear”, deals with the story of a classic love triangle, using the style and the means of the film noir. The main characters of this love story are the ultra-rich mafioso, Mr. Butter, his beautiful wife, Olga, and his servant or „his right hand”, Pedro. “The bitterness and the revenge of the injured husband is the devil’s work, Pedro! The trap is set… And you are sitting in the middle of it!” says Mr. Butter in a phone message at the beginning of the film. Olga and Pedro have to escape from the revenge of the husband. Their surreal adventures end in a car-crash, and finally are taken back to Mr. Butter’s villa. Olga and Pedro are exposed to the anger of the cheated husband. They are both punished, but in a special way…
The heroes of this crime-comedy attempt to get hold of money by a funny trick. They start operating the new post-office of the housing estate a week before the official opening, pocketing the revenue themselves. The inhabitants of the estate do not understand the trick, and loads of money pour to the swindlers.
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