Early Monthly Segments, filmed when Beavers was 18 and 19 years old, now forms the opening to his film cycle, "My Hand Outstretched to the Winged Distance and Sightless Measure." It is a highly stylized work of self-portraiture, depicting filmmaker and companion Gregory J. Markopoulos in their Swiss apartment. The film functions as a diary, capturing aspects of home life with precise attention to detail, documenting the familiar with great love and transforming objects and ordinary personal effects into a highly charged work of homoeroticism. (Susan Oxtoby, Toronto International Film Festival).
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)
Filmmaker Jonas Mekas films 160 underground film people over four decades.
Tom Chomont was a prominent figure of the New York underground film world, and made films for over 40 years. Tom Chomont was a longtime HIV and Parkinson’s Disease survivor and sadly died on June 28, 2010. “Tom Chomont’s films are at once highly poetic and carefully controlled personal statements, and so private both in form and subject matter that they become almost hermetic…the instability of human existence, the poles of all -encompassing imagination on the one hand and nothingness and death on the other, are the notions underlying these works.” – Fred Camper From 1962 through 1989, Tom Chomont made over 40 films. All but two of his films are silent and all are short, ranging from less than 1 minute to 16 minutes. Perhaps, the subtitle of his film Phases of the Moon best characterizes his film work: The Parapsychology of Everyday Life. His films, often portraits of friends, are a lyric evocation of the ordinary world, but at the same time they bear witness to an unabashedly spiritual and sexual parallel universe. His incomparable technique of offsetting color positive and high contrast black and white negative creates a subtly beautiful and richly evocative, otherworldly aura. Since 1990, he has worked exclusively in video. The videos are hard-edged and raw. While many center around explicit s&m imagery, they go beyond the performative aspects of sadomasochistic practice and become an entrée to a transcendent and philosophical other world.
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